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Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.

Tatyana spends her days lost in the world of romantic books, while to her carefree sister Olga, love is just a game. When Olga’s admirer, the poet Lensky, arrives at their country estate with the brooding Eugene Onegin, sparks fly. Tatyana immediately falls for Onegin and declares her love for him in a letter. Onegin rejects her, telling her that he is not ready for marriage. Heartbroken, Tatyana is forced to put on a brave face at her own birthday party, and matters worsen when Onegin begins flirting with Olga. Lensky is outraged and challenges Onegin to a duel, with deadly consequences. Years later, Onegin and Tatyana meet again at a ball in St Petersburg. Haunted by grief and regret, Onegin realises he has made a terrible mistake. But does Tatyana still feel the same?

普契尼的歌剧《波西米亚人》以其迷人的场景和动人的音乐，成为世界上最受欢迎的歌剧之一，既经久不衰又令人心碎。弗朗哥·泽菲雷里令人叹为观止的视觉制作将19世纪的巴黎搬上了大都会歌剧院的舞台，生动地展现了年轻艺术家们的生活、爱情和悲伤。尽管这部作品不乏催人泪下的时刻，但它至今依然深深吸引着观众。

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魅力四射的莉丝·戴维森挑战了戏剧女高音的终极角色之一：瓦格纳这部关于爱与死的超凡冥想之作中的爱尔兰公主伊索尔德。英勇的男高音迈克尔·斯派尔斯与戴维森搭档，饰演沉醉于爱河的特里斯坦。女中音叶卡捷琳娜·古巴诺娃再次演绎她标志性的布兰甘妮一角，与她同台的还有男低音托马什·科涅奇尼，后者曾在瓦格纳的《漂泊的荷兰人》和《尼伯龙根的指环》中在大都会歌剧院的精彩演出，此次他将饰演库尔韦纳尔。男低音瑞安·斯皮多·格林首次担纲重要角色，饰演马克国王。

The character in red is contained in a web of repeated and interlocking actions of her routine. However, the yearn to free herself from automatisms and frustrations grows stronger and louder. From the inside to the outside, from the mechanical to the spontaneous, one character becomes several. They explore the possibilities of doing without thinking.

剧目是莫扎特（Wolfgang Amadeus Mozart ）的歌剧《费加罗的婚礼》（Le Nozze di Figaro ） 。“Live in Kino” 是大都会歌剧院的项目，将歌剧演出以高清直播形式在全球各地影院放映，让观众在电影院也能欣赏到顶级歌剧演出。

现代版《俄耳甫斯与欧律狄刻》

Puccini’s musical thriller of lust, murder, and politics is one of the most dramatically riveting operas in the repertoire. Luc Bondy’s production, with sets by Richard Peduzzi and costumes by Academy Award-winning designer Milena Canonero, opened the Met’s 2009–10 season. Karita Mattila stars as the beautiful and dangerously impulsive singer Floria Tosca. Marcelo Álvarez is her lover, the painter Cavaradossi, a political enemy of the powerful chief of police, Scarpia (George Gagnidze), who wants Tosca for himself.